Traveling at night to avoid detection by Salvadoran troops, leftist guerillas eventually brought us to a small village — El Mozote. The horrifying sights of a massacre, even the smell of death, were unavoidable — burned bodies beneath collapsed, charred beams of destroyed houses; skulls; children’s toys; makeshift graves. The only survivor, Rufina Amaya, recalled hearing from her hiding place the pleas of her young son before he and her three daughters were machine-gunned to death — one was only eight months old; her blind husband was also executed.
In 2001, on the 20th anniversary of the El Mozote Massacre, a member of the Argentine Forensic Anthropology team (EAAF) team team holds a photograph taken by Susan Meiselas shortly after the 1981 attack on the village. The team plans further exhumations at the site, which is marked only by the two story cement house in the background. El Mozote, El Salvador, 2001
The perpetrators were members of a U.S.-trained Salvadoran counterinsurgency unit called the Atlacatl battalion. Fresh from a skirmish with the guerillas, they had entered El Mozote in December 1981, and begun a systematic campaign of rape, plunder, torture and murder. In this village — little more than a Catholic church in a simple town square — more than two hundred men, women and children were killed; only Amaya had survived. Altogether, some 800 were killed in the area, making “El Mozote” a name that stands in infamy, one of the worst massacres in modern Latin American history.
The Salvadoran government denied the killings had occurred and the Reagan Administration insisted that The New York Times and The Washington Post reports of the massacre were gross exaggerations. As one Reagan official told a congressional subcomittee,“no evidence could be found to confirm that government forces systematically massacred civilians.”
But twenty years later, the United Nations Commission on the Truth for El Salvador conducted a thorough investigation, and confirmed what we had reported. The commission wrote:
“During the morning, they [the Salvadoran soldiers] proceeded to interrogate, torture and execute the men in various locations. Around noon, they began taking out the women in groups, separating them from their children and machine gunning them. Finally, they killed the children. A group of children who had been locked in the convent were machine-gunned through the windows. After exterminating the entire population, the soldiers set fire to the buildings.”
In 2012, the president of El Salvador acknowledged the government’s responsibility. “In three days and three nights, the biggest massacre of civilians was committed in contemporary Latin American history,” said President Mauricio Funes, wiping away tears while speaking to a crowd in El Mozote. “For this massacre, for the abhorrent violations of human rights and the abuses perpetrated in the name of the Salvadoran state, I ask forgiveness of the families of the victims.”
Legal Recourse: a conversation with Carolyn Patty Blum, senior legal adviser, Center for Justice and Accountability
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Raymond Bonner is a contributing reporter to Retro Report. He is a lawyer turned journalist, who has worked as an investigative reporter and foreign correspondent for The New York Times and as a staff writer at The New Yorker. He has also written for The New York Review of Books. He has received numerous awards, including the Louis M. Lyon Award for Conscience and Integrity in Journalism from the Nieman Foundation at Harvard University; the Latin American Studies Association Award for reporting from Central America; and an award for reporting from Rwanda from the New York Association of Black Journalists. He is the author of four books, his most recent, “Anatomy of Injustice: A Murder Case Gone Wrong.”
Susan Meiselas joined Magnum Photos in 1976. She is best known for her coverage of the insurrection in Nicaragua and her documentation of human rights issues in Latin America. She is also the author of several books and monographs, including NICARAGUA, JUNE 1978-JULY 1979, and has co-directed two films: “Living at Risk: The Story of a Nicaraguan Family” (1986) and “Pictures from a Revolution” (1991). In 1997, she completed a six-year project curating a 100-year photographic history of Kurdistan, which resulted in the online archive of collective memory — www.akaKURDISTAN.com. The recipient of numerous awards, including the Hasselblad Foundation Photography Prize (1994) and the International Center of Photography’s Infinity Award (2005), her work has been exhibited at the Bibliothèque Nationale Paris, Whitney Museum of American Art, and Art Institute of Chicago. Meiselas was named a MacArthur Fellow in 1992. View her work at www.susanmeiselas.com.